Arunwadee Srisuk
Studio lead. Locks villain era, edition cap, and the month theme before any cover is inked.
The studio behind the spotlight banner
We prepare Marvel villain NFT comics as single-antagonist issues, then pin them to a calendar collectors in Thailand can keep on a wall.
Why villains, not team books
Arunwadee Srisuk started the desk after years of watching event crossovers bury antagonists in crowd scenes. Collectors who wanted Doctor Doom or Kingpin as the lead had to wait for a rare cover. Spotlight editions reverse that: the villain owns the issue, the lettering credits say so, and the drop hour is printed in ICT.
The work sits in Bangkok because that is where the proofs are held and where evening mint times actually match local collectors. Clubs in Chiang Mai and Phuket send waitlist cards; visiting buyers sit with printed pages under gallery light.
People
Prasert Moon
Letterer. Owns balloon placement, sound effects, and the freeze-time stamp that appears on the edition sheet.
Niran K.
Colorist. Responsible for helmet crops, cloak values, and how a cover survives a square NFT thumbnail.
How we work with collectors
Public months go on the themed calendar. Private commissions get a closed waitlist and two printed proofs. We will refuse a brief that asks for two lead villains, a raised cap after opening, or a mint hour that leaves Thai collectors asleep.
Credentials here are practical: years of sequential pages, a lettering desk that catches collisions on paper, and a habit of writing declines when a list is full.